Sunday, June 27, 2010
The Gold Voyager Record
Saturday, June 26, 2010
Oh, Leviathan
Friday, June 25, 2010
Baphomet, Oh How I Praise Thee

This is another dangerous prayer, uncovered from the hands of Satanists and their co-conspirators, the communists and Darwinists. DO NOT attempt to read this aloud, or it could have terrible consequences. It is intended FOR STUDY, to prove that dark powers exist, and work continuously to undermine god's plan, for an earth where all mysteries are heavenly mysteries.
Mighty Astaroth
A dangerous demonic prayer, revealed. DO NOT attempt to read this passage aloud, or it will have terrible consequences. IT is posted here for STUDY ONLY, in hopes that men of good souls will realize that such evil prayers exist.
Like everything else on Bloodonaspaceguitar, it is COMPLETELY CREDIBLE.
Thursday, June 24, 2010
50 Metal Bands by Dungeons and Dragons Alignment
Saturday, June 19, 2010
Thirteen Metal Albums to Listen to in a Dark Room, on Mind Altering Drugs




Tiamat. Clouds/The Sleeping Beauty. Imagine that the biggest, most meatheaded pro wrestler in the WWE had a secret leaning toward existentialism, and started asking the really bigquestions. This is pretty much what you would get, as a musical narrative.




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Friday, June 18, 2010
Ten Greatest Metal Albums/CDs of All Time



Guns n' Roses. Appetite for Destruction. As with the Motley Crue, if you do not consider hair metal to be a valid category of metal, insert Kreator's "Pleasure to Kill"in this slot. If you favor keeping one, and jettisoning the other from the list, you are not playing the game right. Both are hair metal acts. This one is even darker, even more powerful, grittier. It is the apotheosis of its genre, a time when mainstream radio stations played certain metal albums in heavy rotation.


At the time of its release, this was the heaviest album ever made, by far, and there would be no Death Metal were it not for this album, a thrash album, but the progenitor of so many things to come.
AC/DC. You are, no doubt, anticipating these caveats by now. AC/DC do not actually regard themselves as metal, and their sound is basically a hard rock sound with metal overtones. If this does not count as metal to you, put Emperor's "The Nightside Eclipse" in this slot. This is the apex of the hard rock sound, chunky, clean in its execution and dirty in its subject matter. It is anthem after anthem to the rockandroll life style. A strip club, a six pack, Jack Daniels, power.
Iron Maiden. Number of the Beast. This album was actually panned by mainstream rock critics, at the time it was released in 1982. This is actually justified, if a music critic adheres to the elitist and inflexible notion that rock music, metal included, must adhere to some vestige of its roots in the Mississippi Delta. This album is an incredible departure from the likes of Led Zepplein and even Black Sabbath in that the inspiration for its songs was rooted solidly in fantasy and unreality. There is no song on this album that even remotely corresponds to the life of any of its listeners. This is an attribute of metal, as a genre of music, that ensures that it will always have its adherents, no matter what the current trend in music. For most contemporary manifestations of the genre, metal is escapist. Iron Maiden cross imaginary landscapes like no other band, before or since. No subject is too big for a song: Alexander the Great, The Rhyme of the Ancient Mariner, the Battle of Britain. My personal favorite Maiden album is actually Killers, for reasons I will probably elaborate in another post, but as for their greatest, it is probably either this, or Powerslave, an equally amazing album, but less original only for the reason that it came later, and Maiden stuck very true to form after this one.
Black Sabbath, Paranoid. Critics who call Black Sabbath the first metal band are advocating the only truly reasonable position on the matter. Though Deep Purple and Blue Cheer ventured into dark territory, they did not stay there like Black Sabbath, nor did Led Zepplein, whose musical diversity was truly astonishing, and ventured boldly into pieces that included the first Viking metal song. Black Sabbath, however, invented a dark sound so constantly referred to by later metal bands that they are the progenitor of almost everything we recognize as fundamental to the genre. This piece is probably their greatest album. It was amazingly popular for its day, and possessed an intensity and originality never seen since its release in 1970.
Metallica. Master of Puppets. This is on everybody's list, often in the number one slot, for a good goddamned reason. It is an incredible, groundbreaking work. Each song has a resonance, a genius for rhythm and texture, an intellectual clarity, that resonates every bit as strongly today as it did in 1986, when it punched a hole in the conventions of the time and drove a shit ton load of bricks through it. Ride the lightning might actually be better artistically, and my personal favorite is actually And Justice for All, because I love the intricate melodies and outright bleakness of the lyrics, but this is certainly the greatest.