This is probably Vespa mandarinia, the Asian giant hornet.
Thursday, February 28, 2008
Sunday, February 24, 2008
My Checkered Youth as a Metalhead
Metal, an early version of it, was the music of choice for the miscreants who used to beat me up in shop class. Junior high school was, quite certainly, the most miserable period of my life. Shop class was the worst time of the day. I was a nerd, and the shop bullies lived very troubled lives. I sat in the back of the room, averting my eyes to avoid any action that might remind them that I existed. This was exceedingly difficult, because their shirts danced with lurid images of angels and devils, pentagrams, and blood. Molly Hatchet, Metallica (yes, at least I think I remember a very early Metal Up Your Ass tour shirt, it would be worth a fortune now if it existed), Iron Maiden, Led Zepplein, Blue Oyster Cult, Black Sabbath, and so on. These angry preteen sociopaths dominated shop class, PE, the school yard, every other place it did not take a B average to enter. They wore their concert shirts with pride. I was to later learn that many of them came from abusive backgrounds. Terror of these bullies made their music all the more fascinating. I kept wondering how it was that rock bands could advocate the worship of Satan so openly. In hindsight, I realize, they had incredible taste in music.
They did not sell metal shirts at K-Mart. To get one, a lad had either to garner the freedom, and social skills, required for actually attending a metal show, or have a very cool older sibling, one with the worldliness to have grown tired of a band and moved on to something else. Eventually, I had such a sibling. My first rock T shirt was a Pink Floyd T, emblazoned with the image of a spectrum refracting a beam of white light into colored rays. It was a hand-me-down from my sister, who was eschewing her early days of rock and roll, drinking, and older boys to pursue the clean-cut life of a good girl who would later grow up to shoe horses and drink chai lattes. I cut the arms off, to make it appear less feminine, and wore it proudly. This must have been the ninth grade, and by then, I had been telling my classmates I listened to nothing but classical music. A lie. In truth, I did not listen to music at all, except for what I experienced from watching Friday Night Videos or as the guest on Saturday Night Live. It was on TV somehow, that I discovered the Plasmatics. I knew that somehow, I should not be permitted to see images of Wendy O Williams, clad in a leather bra, cutting televisions in class with a chainsaw. My parents were oddly strict and very religious. Not because of any prohibition, but simply due to general somberness, they never played music. By strange extension of their desire for quiet, our house was a very nonmusical place.
This was the early 1980’s Metallica had just played their first few shows, Punk Rock was reaching an early apex in California, and hair metal was becoming truly big, My sister’s ex-boyfriend, a charming young mysogynist devoted to cars and drinking, fell from a scaffold at a Van Halen concert and suffered a serious brain injury. People in NYC were piercing their cheeks with safety pins. I wrote the logos of various bands on my Pee Chee folder, like any other white kid, to affirm my status as a nonhomosexual who did not openly wish to join ranks with the Mexican contingent. In truth, however, I sat that whole era of music out.
This, highly political, element of music listenership, seemed to be a serious issue. In South San Francisco, a working-class suburb of the bohemian metropolis, the white denizens of the place felt besieged and outnumbered, marginalized and usurped by encroaching hoards of Asian immigrants, a large and well-established Mexican community, and the presence of an enormous homosexual counterculture flourishing in the city proper. Whites were a minority in South City, then as now. It was not so much racism as otherness. These other cultures were vastly different, and their members more numerous. Organized along family lines, they were tightly knit, and extremely competitive for jobs, grades, benches at the mall. As for the gays, the objection to them was religion, plain and simple. Perhaps, also, there was a fear that they would somehow recruit our members, assimilate some of us into their gayness. It could spread, somehow. Middle class men, with families, would abandon their families and go to the city to be gay. All of this, of course, is what filtered down to me from above, distorted by my own perceptions. My parents were uprooted Midwesterners, staunchly Catholic and utterly perplexed by the clash of cultures. The major blowback of all of this was the need to pick a side. There were two, rock, and soul. I chose to rock.
To choose rock meant to reject disco, and everything associated with it. Disco was meant to be hated, despite its infectious beats and alluring clothes. It was, quite literally, gay. To choose rock meant to align myself with Judas Priest, Queen, and a number of other bands to which I never actually listened. KSJO was San Francisco’s only real rock station, and to emblazon a binder with its yellow diamond logo was a strong statement of allegiance. Rock was working class. Rock was white. "Soul", what we called soul, was neither. It was an artificial aggregation of everything else. It included Disco, but also, paradoxically, oldies. It included Latin American Music and R & B. I watched Dionne Warwick sing on Solid Gold, but I knew it was somehow bad to like her. Except for the AC DC tape, I listened to very little music. Most of the rock I heard, I overheard from the car radios of my sister’s creepy, fascinating friends. They would play Jefferson Starship, Foreigner, Van Halen, the J Geils Band, whatever could loosely be classed as hard rock.
By high school, my smart but much cooler, friend, Dwight, had introduced me to Rush. Here was a band I could stand for. No songs about hedonism and girls from them. They sang songs about reason, freewill, science fiction, and how leadership and clear thinking could triumph over adversity. At one time or another, I owned every Rush album up to Hold Your Fire. As an adult, I realize that, if I had immersed myself in the nascent punk scene, or snuck to the city to see the first shots in what would become the thrash movement, I would be a very different person today-a serial killer or a convict, a dead rock star, a carpet layer, or perhaps an office worker with six kids. It was Rush, and to a lesser extent Pink Floyd and Yes, that kept me from listening to anything that was cool and less than ten years old. I have Rush to thank me for my status as a biology lecturer and part-time evolutionary biologist.
I don’t know whether to love them or hate them for this. There are too many possibilities. Instead of listening to the Sex Pistols, dying my hair blue, and chasing girls, I drew elaborate dungeons, read Astronomy magazine, and played Hemispheres over and over till I decided Circumstances, on the B side, was a real work of genius.
There are too many possibilities. As an adult, I despise just about the entire Rush catalog. It comes off as didactic and grandiose-technically perfect and completely missing the point of rock and roll. I have Bertrand Russel to read when I want to hear a voice of reason criticize Jesus, not Geddy Lee. There are some incredible moments here and there, such as 2112, and the more Sabbath-inspired pieces from Caress of Steel (pretty much Bastille Day, that's it).
Like all Dark Ages, this era is darker in hindsight than in actuality. My close friend in high school, Rolf, an all-around evil nerd, introduced me to the real thing-metal. He was clean-cut, accepted by the kids in shop class as a low-ranking hanger-on. Dorky, and evil. We stayed up together watching videotapes of Faces of Death and the Evil Dead. He liked scary shit. Together, we logged hours playing Dungeons and Dragons, listening to Venom, Accept, Merciful Fate, and Ozzy Osbourne, nursing our darkest fantasies of rape and pillage. It is only now, as I write this, that I notice the connection between the music I listened to at the time, and the fact that in years of playing D & D, I never once played a character that was not evil incarnate. No druids. No paladins. A string of evil clerics, antipaladins, necromancers, and the like. Strange to think of it now. Fortunately, or unfortunately, I never brought any of the music home. I was in the process of rejecting Christianity at the time, quietly and secretly, and the soundtrack to evil would have raised a million satanic, red pentagram flags with my parents. I wore a lot of black clothing, even then, and played Dungeons and Dragons. Even lacking a Venom album on the turntable, I was interrogated about possible ties to satanism more than once. In fact, I owe my rejection of Christianity not to Ozzy Osbourne, or to King Diamond, but to Issac Asimov.
As an example of how uncool I was, I shared an art class, two years in a row, with members of the early thrash band, Death Angel, and barely noticed. I was a junior in high school at the time, and had come to the conclusion that, unless I did something radical to reinvent myself, I would never, ever, have sex. I bought a West guitar from the want adds and attempted to learn to play. I got nowhere.
Dennis Pepa, co-founder of Death Angel, and a fixture in the early thrash movement was a student at El Camino High school. A senior, so unmistakably cool it was impossible not to notice him on the five or six days a year he chose to attend classes. He was a genuinely decent guy, as were his cousins, various relations, and hangers-on, all of which made it into the band. He was also great with pen drawings. One afternoon, probably on an errand looking for his metalhead friends that sat in the back of the room drawing pictures of corpses, he looked over my shoulder and inspected the iguanodon I had drawn in charcoal pencil.
Dennis:
“That’s good. I like it. Hey, do you play?
My response:
“Yeah, a little guitar. I’m not very good.”
Dennis:
“What do you play?”
Me:
“Blues.” (True, actually, I had decided that, since all rock comes from blues, blues I should play.)
Dennis:
“Cool. Sure you don’t wanna come play with us some time?”
Me:
“Nah. I really suck.”
That same year, Kirk Hammet, of Metallica fame, produced Death Angel’s first demo tape.
Death Angel was a Phillippino thrash band. In one stroke, he dissolved any illusions I might have harbored about metal being music for whites only. Here were Asians doing it better, and looking much cooler doing it. He was also the first real metalhead who was ever nice to me.
I don’t think I spoke a word to him, before or since. I never played with them, obviously, never met Metallica. Cest la vie.
I bought a copy of Metallica’s “And Justice For All” two years later, living in a noisy dorm, my first week at UCLA, but that is another story.
Thursday, February 21, 2008
I Miss Filter
These artifacts, flawed and weird, are products of mocha, music, old couches, and Filter, which sits, four-dimensionally, behind a Bank of America at North and Damen. They are some of the only surviving visual art from that period of my life. As you can clearly see, I was, and am obsessed with sex, and heterosexual.
Tuesday, February 5, 2008
Imagining the Tenth Dimension
I just wrapped my brain around this. My Clone forced me to watch it, on drugs, between bouts of playing kick-ass metal bass riffs. It my head open. In one way or another, I had been aware of every aspect of reality presented in the video, but the video united them into a common, geometric view of the universe.
There are implications beyond the video, for instance, the curvature of spacetime induced by gravity can occur in a variety of alternate dimensions, possibly. I have seen astronomical photographs of gravitationally-lensed galaxies and they really exist.
I spend most of my life in a six dimensional universe, it turns out, but occasionally try to project myself in the eighth.
Just because we cannot conceive of dimensions beyond the 10th does not mean they do not exist. As a matter of fact, at the line drawn from one point in the seventh to the next, between two possible universes, I see either a contradiction, or an excuse to add more dimensions. That third universe, the one that makes the three universes a noncolinear series that defines a plane, must differ in an aspect of its starting conditions that did not apply to the first two, otherwise it would be on the same line. This implies that, for every aspect of starting conditions to the big bang, there is a new dimension of reality. It makes a big difference whether or not the existence of a single, time-like, dimension is an aspect of the universe's origins, or a consequence of it.
No wonder electrons make more sense in 26 dimensions. I suddenly wonder why 26 is the limit.
Sunday, February 3, 2008
my own strange peace with the disease
Friday, January 25, 2008
tackling the Hegel problem on drugs
Wednesday, January 23, 2008
Hand reads...

As I write this, the La Selva experience is far away, mentally and geographically. I obsess over Garage Band, and my new found power (not ability, metal is all about power) to be done with artistic collaboration and create Plasmodium, a
The blurry frog is Dendrobates pumilo. They are very abundant at La Selva. My guide the first day described them as "happy" because it was raining so consistently, and they were mating.
The blurry flower is a banana plant, volunteer, a pest in Costa Rica. The Trigona bees are a very common species, whatever they are, and are robbing it of nectar. This species never really reproduces sexually, as far as I know, so this is a case of bees robbing a structure which is superfluous to the plant itself.
The bridge crosses the Rio Puerto Viejo, and divides the two halves of the La Selva compound. To get to the rainforest from lunch, or from where most people sleep, a person crosses it. It wobbles magnificently as foot traffic passes.
Super Liquorea Cisneros is along the highway to San Jose. A lot of Costa Rica looks just like that...logged, tropical, and with a strange aesthetic that has its own internal logic.
Thursday.
Lycaenidae. A messy howler monkey. A cricket nursing its brood. (I looked this one up, the genus was Anurogryllus, one of the few crickets that provides parental care. This genus is widely distributed in the Caribbean and Central America...the particular species was one of the flightless ones. It nursed a very large brood of nymphs under a rock, one of the only rocks I turned over while I was there). A great tinamou, the bees are attempting to rebuild their nest.
I was very excited about the discovery of a Trigona colony at Cuerva, the curve in the path to my cabin. Workers of a second species, black, possibly a halictid and possibly another Trigona, were entering and exiting all morning, unmolested. It looked like a case of commensalism. I shared my ideas with the staff here, prematurely. In the afternoon, guards of the more common, yellow species, were giving the intruders hell. Much repair was being done in and about the entrance tube. Still, it is a fine nest, inside a Naustitermes colony, and the process of sharing my completely erroneous idea brought me back to the gazebo in the botanical garden. I don't know how I missed it earlier, but nest boxes hang beneath its roof, three of the four are full of stingless bees. I stayed for a while, watching a cloud of workers of the common, small, species hover aloft in the sun as foragers returned from pollen runs. There was as second species, black, larger, building no nest-entrance tubes, and more sullen. Their guards sat motionless...all business. It had an interesting pronotal shield. I have no idea as to the identity of these two species, or the large banana-raider, or the medium-sized brown species in the fallen nest. I am not collecting specimens on this trip. They might not all be Trigona, even.
I saw my first snake this morning, after Lil'Hateful chastized me by email about being careless about walking about in the dark. It was small, brown, immature, probably about 14 inches long, and might have been elaphid. It looked like a dark brown garter snake. Could have been anything though, even a colubrid.
An impressive basilisk. Green Honeycreepers. Clay colored robin, woordcreepers, orioles, parasitoids. Going to miss this place.
Friday-12/21
Amegillia foragers at mid-tree stratum in morning, nests in banks, keystone pollinator, Trypoxylon present, another story here, is politum or leucotarsae (this species was the subject of my doctoral dissertation. The story is that politum, and the nests looked like politum nests, is not supposed to occur there. It was not T. monteverdeii, as far as I could tell, which is supposed to occur there). Was sad earlier, woke for birds.
Hand reads
Wren, white tail, woodpecker, mantis, striped anole, doves, unafraid bird (a black headed trogon), striped wren, a halictid, ground doves, other hummingbird, varigated squirrel, kingfisher, parrots, etc.